Indian Theatre
- Jogimara cave and Sitabena caves - World oldest Amphitheatres
- Oldest treaties for theatre art - Bharatmuni Natyashastra(200BC-200AD)
- Types: Lokadharmi - These were realistic depiction of daily life
- Natyadharmi - realistic depiction + artistic narration
Writer | Name of the play |
Ashvaghosh | Sariputra Karana |
Sudraka | Mrichhakatika |
Kalidasa | Malvika Agnimitra,vikram urvashi, Shakuntalam |
Bhavabhuti | Mahavir Charitra |
Vishakhadatta | Mudrarakshasa |
Harshvardhan | Ratnavali |
- Four to seven act plays
- Must have a happy ending
- Male performer
- Well defined opening, progression, pause and conclusion
- Pre play rituals are must
- Initiated with deity worship
- Sutradhar set timing for drama
- Theatre has capacity of at least 400 person
- 2 storeyed building
- Playwright were becoming more interested in poetry
- Orthodoxy presence and limited Popular appeal of sanskrit language
- Dominance of regional and vernacular language
- Arrival of muslim lead to promotion of Persian language
- Common people oriented
- Simple languages used
- Depicting local lifestyle, custom and traditions
- Ritual Theatre: Famous during Bhakti movement
Name of the play | Place | Theme | Other Feature |
Ramman | Garhwal(Uttrakhand) | Bhumital devta | UNESCO Intangible cultural heritage |
Ramlila | Uttar pradesh | Life of Shri ram | Perform by Male Actor |
Kala | Assam | Vaishnavite | Perform in group |
Ankia nat | Assam | Krishna theme | Started in time of Bhakti movement |
Raslila | Gujarat and Mathura region of uttar pradesh | Krishna and Radha | Perform during janmashtami |
Bhuta | Karnataka | Dead ancestors |
|
- Entertainment Theatre: More Secular and depicting Love, valour and day to day activities
Name of the Play | Place | Theme | Other Feature |
Bhavai | Gujarat(Kutch and Kathiawar)and Rajasthan | Romantic | Small play called vesha Semi classical music |
Daskathia | Odisha | Social and religious | Musical instrument called KATHIA used |
Garodas | Gujarat | Romance and valour | By Garoda community |
Jatra | Odisha and eastern india | Krishan teaching, include other theme like ram, chandi, shiv | Popularised by Sri Chaitanya mahaprabhu |
Kariyala | Himachal Pradesh | Village fair and festival | Performed in open theatre |
Maach | Malwa (Madya Pradesh) | Mythologica, Romantic | Dialogues called as Ranger Dohas |
Nautanki | North india | Drama, play | Mention in Ain-e- Akbari |
Powada | Maharashtra | Valour in Name of Shivaji | Sung by Folk musician Gondhalis and Shahirs |
Swang | Haryana, Punjab | Social, Folk and Political | Mostly in Vernacular language |
Tamasha | Maharashtra | Humour and erotic content | Mainly performed by Females |
Villu Pattu | Deccan | Ramayan | Also called as Bow Song |
Bhand Pather | Jammu and kashmir | Social satire and mythical stories | Perform by Muslim |
Bhaona | Majuli Island (assam) | Vaishnavite | Social and moral massage are spread |
Name of theatre | Place | Theme | Miscellaneous |
Yakshagana | Andhra pradesh, Karnataka | Dance drama performed by Jakkula Varu | Originate in Vijayanagara empire Perform by Jakkula varu |
Burra katha | Andhra pradesh | Dead ancestor | Used BURRA---a Percussion instrument |
Pagati Veshalu | Telangana & Krishna District | Role playing act like Vesham(Disguise) |
|
Bayalata | Karnataka | Story of Radha Krishna | Perform in Open theatre |
Theyyam | Kerala | Ancestors, vaishnavism, Shaktism and shaivism | Costume include head gear and colourful |
Krishan Attam | Kerala | Life story of krishna | 8 day carnival |
Kuravanji | Tamil nadu | Love struck heroine | Dance ballet form |
- Originated in 19 th century in calcutta
- Theme include Social and religious like sati parhta, caste system, nationalism also
- Commercialized in nature Unlike Open to all
- Parsi theatre started in Gujarat and maharashtra
- Indian People’s theatre association was formed in 1943 By CPI
- Today Theatre is performed as an academic session with establishment of
- National school of drama (New delhi)
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